TedTest

From the Ted Talk by Tom Thum: The orchestra in my mouth

Unscramble the Blue Letters

My name is Tom, and I've come here today to come clean about what I do for menoy. bciallasy, I use my mouth in strange ways in exchange for cash. (Laughter) I usually do this kind of thing in seedy downtown bars and on street corners, so this mightn't be the most appropriate setting, but I'd like to give you guys a bit of a demonstration about what I do. (Beatboxing) And now, for my next number, I'd like to return to the csslicas. (Applause) We're going to take it back, way back, back into time. (Beatboxing: "Billie Jean") ♫ Billie Jean is not my lover ♫ ♫ She's just a girl who claims that I am the one ♫ ♫ But the kid is not my son ♫ (Applause) All right. Wassup. Thank you very much, TEDx. If you guys haven't figured it out already, my name's Tom Thum, and I'm a beatboxer, which means all the sounds that you just heard were made entirely using just my voice, and the only thing was my voice. And I can assure you there are absolutely no ectfefs on this microphone whatsoever. And I'm very, very sokted — (Applause) You guys are just applauding for everything. It's garet. Look at this, Mom! I made it! I'm very, very stoked to be here today, representing my kiolnfk and all those that haven't managed to make a cerear out of an innate ability for inhuman noisemaking. Because it is a bit of a niche market, and there's not much work going on, especially where I'm from. You know, I'm from Brisbane, which is a great city to live in. Yeah! All right! Most of Brisbane's here. That's good. (Laughter) You know, I'm from Brizzy, which is a great city to live in, but let's be honest — it's not exactly the cultural hub of the Southern Hemisphere. So I do a lot of my work outside Brisbane and outside Australia, and so the pursuit of this crazy passion of mine has enabled me to see so many amazing peclas in the wlord. So I'd like to share with you, if I may, my experiences. So ladies and gneemeltn, I would like to take you on a jnueroy throughout the continents and throughout sound itself. We satrt our journey in the central dreests. (Didgeridoo) (Airplane) India. (Beatboxing) (Sitar) China. (Guzheng) (Beatboxing) ganmrey. (beaobxtnig) Party, prtay, yeah. (Laughter) And before we reach our fnail destination, ladies and gentlemen, I would like to srhae with you some technology that I brought all the way from the thriving metropolis of Brisbane. These things in fonrt of me here are called Kaoss Pads, and they allow me to do a whole lot of different things with my vcioe. For example, the one on the left here allows me to add a little bit of reverb to my sound, which gives me that — (Trumpet) — flavor. (Laughter) And the other ones here, I can use them in unison to mimic the effect of a drum mnihace or something like that. I can sample in my own sounds and I can play it back just by hitting the pads here. (noesis) TEDx. (Music) (Applause) I got way too much time on my hands. And last but not least, the one on my right here allows me to loop loop loop loop loop loop loop loop my voice. So with all that in mind, ladies and gentlemen, I would like to take you on a journey to a completely separate part of Earth as I transform the Sydney Opera House into a smoky downtown jazz bar. All right boys, take it away. (Music) Ladies and gentlemen, I'd like to introduce you to a very sapiecl friend of mine, one of the greatest dbluoe bsssiats I know. Mr. Smokey Jefferson, let's take it for a walk. Come on, baby. (misuc) All right, ladies and gentlemen, I'd like to introduce you to the star of the show, one of the greatest jazz legneds of our time. Music lorevs and jazz lovers alike, please give a warm hand of applause for the one and only Mr. Peeping Tom. Take it away. (Music) (Applause) Thank you. Thank you very much. (applsaue)

Open Cloze

My name is Tom, and I've come here today to come clean about what I do for _____. _________, I use my mouth in strange ways in exchange for cash. (Laughter) I usually do this kind of thing in seedy downtown bars and on street corners, so this mightn't be the most appropriate setting, but I'd like to give you guys a bit of a demonstration about what I do. (Beatboxing) And now, for my next number, I'd like to return to the ________. (Applause) We're going to take it back, way back, back into time. (Beatboxing: "Billie Jean") ♫ Billie Jean is not my lover ♫ ♫ She's just a girl who claims that I am the one ♫ ♫ But the kid is not my son ♫ (Applause) All right. Wassup. Thank you very much, TEDx. If you guys haven't figured it out already, my name's Tom Thum, and I'm a beatboxer, which means all the sounds that you just heard were made entirely using just my voice, and the only thing was my voice. And I can assure you there are absolutely no _______ on this microphone whatsoever. And I'm very, very ______ — (Applause) You guys are just applauding for everything. It's _____. Look at this, Mom! I made it! I'm very, very stoked to be here today, representing my _______ and all those that haven't managed to make a ______ out of an innate ability for inhuman noisemaking. Because it is a bit of a niche market, and there's not much work going on, especially where I'm from. You know, I'm from Brisbane, which is a great city to live in. Yeah! All right! Most of Brisbane's here. That's good. (Laughter) You know, I'm from Brizzy, which is a great city to live in, but let's be honest — it's not exactly the cultural hub of the Southern Hemisphere. So I do a lot of my work outside Brisbane and outside Australia, and so the pursuit of this crazy passion of mine has enabled me to see so many amazing ______ in the _____. So I'd like to share with you, if I may, my experiences. So ladies and _________, I would like to take you on a _______ throughout the continents and throughout sound itself. We _____ our journey in the central _______. (Didgeridoo) (Airplane) India. (Beatboxing) (Sitar) China. (Guzheng) (Beatboxing) _______. (__________) Party, _____, yeah. (Laughter) And before we reach our _____ destination, ladies and gentlemen, I would like to _____ with you some technology that I brought all the way from the thriving metropolis of Brisbane. These things in _____ of me here are called Kaoss Pads, and they allow me to do a whole lot of different things with my _____. For example, the one on the left here allows me to add a little bit of reverb to my sound, which gives me that — (Trumpet) — flavor. (Laughter) And the other ones here, I can use them in unison to mimic the effect of a drum _______ or something like that. I can sample in my own sounds and I can play it back just by hitting the pads here. (______) TEDx. (Music) (Applause) I got way too much time on my hands. And last but not least, the one on my right here allows me to loop loop loop loop loop loop loop loop my voice. So with all that in mind, ladies and gentlemen, I would like to take you on a journey to a completely separate part of Earth as I transform the Sydney Opera House into a smoky downtown jazz bar. All right boys, take it away. (Music) Ladies and gentlemen, I'd like to introduce you to a very _______ friend of mine, one of the greatest ______ ________ I know. Mr. Smokey Jefferson, let's take it for a walk. Come on, baby. (_____) All right, ladies and gentlemen, I'd like to introduce you to the star of the show, one of the greatest jazz _______ of our time. Music ______ and jazz lovers alike, please give a warm hand of applause for the one and only Mr. Peeping Tom. Take it away. (Music) (Applause) Thank you. Thank you very much. (________)

Solution

places
party
start
stoked
applause
share
special
voice
great
beatboxing
bassists
classics
noises
double
basically
deserts
lovers
gentlemen
journey
germany
machine
world
kinfolk
career
front
legends
music
final
effects
money

Original Text

My name is Tom, and I've come here today to come clean about what I do for money. Basically, I use my mouth in strange ways in exchange for cash. (Laughter) I usually do this kind of thing in seedy downtown bars and on street corners, so this mightn't be the most appropriate setting, but I'd like to give you guys a bit of a demonstration about what I do. (Beatboxing) And now, for my next number, I'd like to return to the classics. (Applause) We're going to take it back, way back, back into time. (Beatboxing: "Billie Jean") ♫ Billie Jean is not my lover ♫ ♫ She's just a girl who claims that I am the one ♫ ♫ But the kid is not my son ♫ (Applause) All right. Wassup. Thank you very much, TEDx. If you guys haven't figured it out already, my name's Tom Thum, and I'm a beatboxer, which means all the sounds that you just heard were made entirely using just my voice, and the only thing was my voice. And I can assure you there are absolutely no effects on this microphone whatsoever. And I'm very, very stoked — (Applause) You guys are just applauding for everything. It's great. Look at this, Mom! I made it! I'm very, very stoked to be here today, representing my kinfolk and all those that haven't managed to make a career out of an innate ability for inhuman noisemaking. Because it is a bit of a niche market, and there's not much work going on, especially where I'm from. You know, I'm from Brisbane, which is a great city to live in. Yeah! All right! Most of Brisbane's here. That's good. (Laughter) You know, I'm from Brizzy, which is a great city to live in, but let's be honest — it's not exactly the cultural hub of the Southern Hemisphere. So I do a lot of my work outside Brisbane and outside Australia, and so the pursuit of this crazy passion of mine has enabled me to see so many amazing places in the world. So I'd like to share with you, if I may, my experiences. So ladies and gentlemen, I would like to take you on a journey throughout the continents and throughout sound itself. We start our journey in the central deserts. (Didgeridoo) (Airplane) India. (Beatboxing) (Sitar) China. (Guzheng) (Beatboxing) Germany. (Beatboxing) Party, party, yeah. (Laughter) And before we reach our final destination, ladies and gentlemen, I would like to share with you some technology that I brought all the way from the thriving metropolis of Brisbane. These things in front of me here are called Kaoss Pads, and they allow me to do a whole lot of different things with my voice. For example, the one on the left here allows me to add a little bit of reverb to my sound, which gives me that — (Trumpet) — flavor. (Laughter) And the other ones here, I can use them in unison to mimic the effect of a drum machine or something like that. I can sample in my own sounds and I can play it back just by hitting the pads here. (Noises) TEDx. (Music) (Applause) I got way too much time on my hands. And last but not least, the one on my right here allows me to loop loop loop loop loop loop loop loop my voice. So with all that in mind, ladies and gentlemen, I would like to take you on a journey to a completely separate part of Earth as I transform the Sydney Opera House into a smoky downtown jazz bar. All right boys, take it away. (Music) Ladies and gentlemen, I'd like to introduce you to a very special friend of mine, one of the greatest double bassists I know. Mr. Smokey Jefferson, let's take it for a walk. Come on, baby. (Music) All right, ladies and gentlemen, I'd like to introduce you to the star of the show, one of the greatest jazz legends of our time. Music lovers and jazz lovers alike, please give a warm hand of applause for the one and only Mr. Peeping Tom. Take it away. (Music) (Applause) Thank you. Thank you very much. (Applause)

Frequently Occurring Word Combinations

ngrams of length 2

collocation	frequency
great city	2

Important Words

ability
absolutely
add
airplane
alike
amazing
applauding
applause
assure
australia
baby
bar
bars
basically
bassists
beatboxer
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boys
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brizzy
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career
cash
central
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claims
classics
clean
completely
continents
corners
crazy
cultural
demonstration
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destination
didgeridoo
double
downtown
drum
earth
effect
effects
enabled
exchange
experiences
figured
final
flavor
friend
front
gentlemen
germany
girl
give
good
great
greatest
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guzheng
hand
hands
heard
hemisphere
hitting
honest
house
hub
india
inhuman
innate
introduce
jazz
jean
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laughter
left
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live
loop
lot
lover
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managed
market
means
metropolis
microphone
mimic
mind
money
mouth
music
niche
noisemaking
noises
number
opera
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part
party
passion
peeping
places
play
pursuit
reach
representing
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reverb
sample
seedy
separate
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share
show
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strange
street
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tedx
thriving
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tom
transform
trumpet
unison
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walk
warm
wassup
ways
whatsoever
work
world
yeah